A hot summers day in 1972

On a hot summer's day in 1972, I arrived home from school on the 107 bus from Edgware to Borehamwood. I had now got the chance to listen to the LP that I had recently bought. We had two record players in our house. One was my sister’s in her bedroom, and the other was our father's very own, rather expensive Bang & Olufsen turntable and a Tandberg amplifier. I wasn’t allowed to use my sister's relatively cheap, but effective player, nor was I or any of us allowed to play this ‘rubbish’ on his turntable. Let alone sit in the chair next to it. That was reserved exclusively for my father. If I happened to be sitting in it when he came in, I was told very swiftly to get out of it. I had my place on the 3 seater couch. I was on the left, my brother in the middle and our sister on the other end. My mother and father were in London at their showroom in Essex Road, Islington, on this particular day. I knew I had time to get the record on the turntable and listen to it through the headphones. I was very excited; it was Pink Floyd’s album, Meddle. I put the record on the player, put the headphones on, and just sat there and drifted off listening to Pink Floyd. I was already a big Floyd fan and loved everything I had heard of theirs. I set my 35 mm camera up and took a self-timed shot of me actually sitting in the forbidden chair and looking rather ravishing, or so I thought. Looking back, I am not so sure. As the album played away, I was listening to it quite loud, and as I drifted off in thought, I realised that this music did release endorphins or Dolphins as I prefer to call them. I played side one, then turned it over, side two, and back to one again. It was quite incredible. I was also thinking about photography whilst listening. This music inspired me, and as those Dolphins raced around my head, I became even more of a Floyd fan. It all ended with the sound of my parents coming in and me having to vacate his lordship's throne suddenly. My father disliked many things, including anyone with long hair, tattoos or both. Simply put, Pink Floyd didn’t fit into the Frank Sinatra category after all; they were “disgusting looking hippie types” according to my parents. So there I was with a few albums up in my shared bedroom, and I could only really listen to them at my friend’s houses. I was becoming increasingly excited about photography and was already shooting a few bands in and around London. I left school when I was very young. I slipped out without anyone really noticing me in early 1974 when I was 15. I then blagged myself a job at a photo press agency called Fox Photos in Farringdon Road, London. I went back to the school to try and take any exams that I was reminded about by my former school friends. While working during the week at the press agency, I got a Saturday job in a camera shop on Essex Road, Islington. It was called Derek Smith Studios. Derek, my boss, was fantastic. I loved working there. I was learning so much about actual cameras at that time. I finally saved up enough to buy myself a Nikon F2As body and Hasselblad 500cm. I still have these cameras to this day. It wasn’t long before I realised that a little road called Britannia Row was only a few hundred yards (meters) away from the camera shop! Now, that was the base and studio for Pink Floyd. I was stunned that they were so close to me. After six months, I had become a big shot and quit my job at the press agency and gone freelance. I had no bloody idea what that entailed at that age, but I suddenly learnt that I got no paycheck at the end of the week. Since that day, I have had to be a pirate and make every day count financially. It is not an easy path, especially then at the age of 16. It’s a rather long story, as is this one you may be reading, but, I managed to get myself involved with Pink Floyd in 1975 and have done bits and pieces for them ever since. But, before working with them, I met Dave Gilmour, Nick Mason & Richard Wright backstage at a gig in London’s Hyde Park in 1974. Roy Harper, Dave Gilmour, and my late and missed lovely friend, Julie Felix, were performing.

I was only there because the fantastic guitarist Ollie Halsall let me hang onto him when I bumped into him in Edgware on his way to the gig. I met him sometime before this as he was a great friend of my then-schoolteacher, the brilliant John Altman, whom many of us know and love. A year after Hyde Park, I found myself at Knebworth with Pink Floyd in an official capacity. Then many things in between that at Live 8 in 2005.

Not to forget me being with them all at the Syd Barret tribute concert at The Barbican Theatre in London in 2007. I stood backstage with David Gilmour, Richard Wright, and Nick Mason. Andy Bell from Oasis would jump up and play bass with them as they were somewhat estranged from Roger Waters. Suddenly, I looked to my left, and there was Roger Waters. I asked if I could take a shot of the four of them together, and the answer was @*ck RIGHT OFF. So that was a NO. I didn’t utter another word. I just did a few shots of the band chatting, but, nothing with Roger and David together, primarily because they said NO and added to the fact that those two would not stand anywhere near each other.

David, Nick Richard, and Andy Bell (on bass) played a few Syd Barret Floyd-era songs onstage. After they finished, Roger went on stage and played a few songs too. There is a lot more I could write about Pink Floyd, me and this part of my career, but I will save that for another rainy day.

You may wonder why I am rambling on about all of this today. Pink Floyd, the band and their music have inspired me throughout my life; today, the incredible and lovely Richard Wright would have been 80 years old. So, happy 80th birthday to Richard Wright

#davidgilmour #richardwright #pinkfloyd #music #progrock #sydbarrett #rogerwaters #islington #BritanniaRow #hydepark #keyboard

This is me sitting in his lordshios chair before he came home and I took this rather sexy (hello ladies) shot of me on self tim on my wonderful Nikon F2As. Actually, I look rediculous!

Happy 80th Birthday Sir Mick Jagger

Happy 80th birthday Mick. I first photographed The Rolling Stones in 1976. It was at Earls Court, London. Like a few other people, I didn't have a photo pass. My fellow photographer and great friend, Matthew Taylor, bought some tickets and snuck our cameras in. I had a Nikon F2As and lenses, my Hasselblad 500CM under my arm, and some equipment down my trousers. Mick Jagger was then and still is one of the fastest people on stage and very difficult to photograph, especially with a Hasselblad. I have been lucky to shoot the Stones in many places around the world. So, once again, Happy 80th Mick. Here are a few shots I have taken of the man himself.

Madeline Bell - Our Unsung Hero

On Saturday afternoon, I grabbed my cameras, jumped in my car and headed to Cadogan Hall, just off Sloane Square, London. I had to get there early to meet my wonderful friend and absolute legend, Madeline Bell. I arrived at 2 pm and luckily found a parking spot right outside. This show was a celebration of Madeline's 80th birthday. This show was a big deal! It had clearly taken a lot to pull it all together. The mastermind behind the scenes was Matthew Jones, her conductor. He created this and did all of the arrangements and heavy lifting to make this happen. To quote Madeline, “Matthew did EVERYTHING”.

I was met at the stage door and shown to the main hall. I then crept quietly up to the balcony, I put my camera bag down and turned round to see Madeline rehearsing, and what I could hear was quite remarkable. Madeline’s voice is obviously spectacular. When you add Conductor Matthew Jones, the English Chamber Orchestra, a star-studded band, and Matthew’s amazing choir, I knew we were in for a special night. I also knew that the superb Ian Shaw was also guesting on a few songs with Madeline.

After the rehearsals had finished, we drifted backstage to the dressing rooms. At one point, I went in to say hello to Paul Gambaccini in his dressing room. We chatted for about an hour about so many interesting things. One of the things Paul was talking about was the fact that Madeline is from Newark, New Jersey, which most of us knew. Paul talked about what a special place it was for talent. So many great singers and performers came from there, and he named lots of them. Paul is from New York. The Bronx, to be precise, and he said that it had a similar talent pool as Newark. They have very different music but equally enormous names. I sat there thinking, well, I was born on Lower Clapton Road in the East End of London, and there is currently only one other person I know who is from there. That person is my mate, Tony Klinger, the film producer. He was born in the Salvation Army Hospital opposite my house, where I was born. But I can't sing a note and speak for Tony; maybe he can? We are more creative behind the lens than Newark, NJ and The Bronx musicians.

Whenever I post anything about Madeline, I want to tell everyone all about her life and what she has achieved. Quite a few of you would be shocked and amazed if you knew what she has done. Those of us who know Madeline also know that she loves to talk, as do I. So, when we get together, I always want to video it. I actually find it incredible how many great artists she has sung with and the songs she has sung on. As well as her phenomenal band, Blue Mink! She has been a very big part of music history for many decades and in some cases, sadly, and excuse the pun, an ‘UNSUNG HERO’ and not given the credit where credit is due. So, for anyone who doesn't know her history, start with a quick look at her Wikipedia page for a tiny view of her world.

The show began with the great Paul Gambaccini introducing Madeline and company. In between some of the songs, Paul sat with Madeline and interviewed her, which was fascinating. Paul has a wonderful interviewing technique, and Madeline is brilliant and hilarious too. The show ran for a few hours with a short intermission. I ran into David Stark & Lesley-Ann Jones during that break, which was lovely. The show was sold out, and it was so lovely hearing Madeline, with that choir surrounded by such talented musicians, all being controlled and directed by Conductor Matthew Jones.

Madeline Bell

I saw PP Arnold, Dave Clarke, and Bobby Crush in the audience, as was my friend Martin Chambers from The Pretenders. He and I had dinner with our mutual buddies, Glen Matlock, Chris Musto & Jim Lowe, the night before. So, after Madeline’s fabulous performance, I introduced Martin to Madeline. Sadly, I didn’t go to the after-party as it was getting late, and I know I have been overdoing it a bit lately, and I need to rest. I didn’t get home until 1:30 am anyway. It was an incredible show. Madeline performed some of her great hits and other beautiful songs too. A couple she was accompanied by the uber-talented Ian Shaw, including a couple from her time in Blue Mink, Melting Pot, The Banner Man and many other songs. I know that Madeline doesn’t do many shows in the UK. But she told us she will play at Crazy Coqs in London in a month or two. If I were you, I would rush to get tickets, as I would think they would sell out in five mins.

Madeline Bell

Here are a few photos from that night.

#MadelineBell #BlueMink #RollingStones #JohnLennon #EltonJohn #dustyspringfield #pinkfloyd #steviewonder #JoeCocker #jimihendrix

Martin Cahmbers (The Pretenders), Madeline Bell & Paul Gambaccini

Madeline Bell

Madeline Bell & Ian Shaw

Matthew Jones & Madeline Bell

Rehearsals:- Ian Shaw, Matthew Jones, Madeline Bell & Ralph Salmins on drums.

Matthew Jones Conductiing with Madeline Bell & Ian Shaw

The veiw from the back!

Matthew Jones and Madeline Bell

Madeline Bell and Paul Gambaccini

My Journey with Miel

A few years ago, I was contacted by a great friend of mine, music manager, Claire Roth. She asked me if I could come along to Abbey Road Studios and photograph a lady that she had just started managing. She told me that the artist was absolutely lovely and it was a very exciting project. I have known Claire for quite a long time and think the world of her, so, of course, I said yes. A week or so later, I arrived at Abbey Road Studios, which I love. I have no idea how many times over the years I have worked there, but it must be up in the hundreds. I have to say I always love looking at the photographic history on the walls in the corridors there. I am proud that I am one of the photographers who have their photos on those walls. No, not a photo of me! But the photos were taken by me. So, once I got through the entrance and past the photos, I walked toward the studio we were working in and met the artist, Miel. She was delightful and I quickly and quietly started to document the project. As the day unfolded and people started to arrive, I met her team; funnily enough, most of them I already knew. I was thrilled to walk into the control room of Studio 2 to meet her producer, who happened to be my great (long-time) friend and uber-talented producer Andy Wright (Simple Minds, Chrissie Hynde, Pavarotti, Jeff Beck, Simply Red, Gibert O’Sullivan, Eurthymics, plus, many many more). So, this first meeting and shoot are where this journey began. We had a delightful time at Abbey Road and a few other London-based studios during the early days.

Miel in the legendary Studio 2 at Abbey Road. Yes, this is the actual studio where many superstrs crerated their magic. This includes, The Beatles, Pink Floyd and too many others to mention.

Soon after the recording of some tracks at Abbey Road Studios, we travelled down to various locations in Europe to shoot a few music videos. My job was to document the making of the video and create some wonderful portraits to be used on any music album or single covers, along with photos for press articles, magazines, newspaper revues and social media posts.

This is one of my portraits of Miel that I shot in Spain.

Another of my portraits of Miel, in Spain.

The team at the ‘Wrap Party’ at the finish of the video shoot in Spain,

Once the recordings were completed and gigs were becoming more of a regular thing in the UK, it wasn’t long before Miel and her team were speaking about doing some gigs in the US. Now, we all know what a difficult territory that is to win over. I have worked with quite a few big artists over the years that couldn’t crack that market. So, other than the obvious things that Miel could bring to the table, like talent, drive, determination and the will, one also needs luck and some seriously good and talented people. Miel was very aware of this, she is very astute. 

Now, I have spent around 45 years in the music business, and because of that, I know a lot of people. In fact, I know a lot of the ‘right’ people. So, after a while of me working with Miel and having many conversations about the music business, she discovered that I was very well-connected. We discussed the possibility of a trip over to New York to get a feel for the NY music business scene. So, it wasn’t long before we were off to New York also with her manager Claire, and friend and confidant, Kate. As I mentioned, the purpose of the trip was for me to introduce Miel to some of my trusted friends, the big hitters in the music business. These wonderful people were more than able to help us prepare the groundwork for a small East Coast tour.

My wonderful lifelong friend, Dave Novik, on the left and me on the right; Dave had spent his life in the music business, starting in the post room at a small label called Magnet Records in York Street, London and then becoming Vice president of Universal Classics. This self-timed and badly framed photo was taken by me just outside the hotel where I had introduced Miel to Dave. We had just finished a meeting with Miel, and Dave was about to head off on his way across town.

Miel also wanted to fulfil her ambition of playing at The Carlyle in Manhattan. This venue is a small, cosy, prestigious and quite magical venue. Many of the world’s greatest musicians have performed, and where celebrities dined whilst watching others perform. Throughout the years, if you were lucky enough to get inside, you could have seen The Kennedys, Truman Capote, Marilyn Monroe, Hunter S.Thompson, Elizabeth Taylor, Woody Allen, Paul McCartney and Mick Jagger. On one occasion, Jackie O and Audrey Hepburn were spotted having a heart-to-heart in the lobby. Yes, The Carlyle is quite a special place. Miel didn’t book the venue at that time, but that is something that maybe she can do now that the world is coming back to life after the pandemic. It would be quite something to see Miel perform at the Carlyle. and to have her name added to those who have performed there.

Miel at the Carlyle Club. Hopefully, she will return there to make her New York debut soon.

Miel leaving the Carlyle Club, New York.

Claire, Kate & Miel walking through Manhattan.

Miel and I had a walk around Central Park one afternoon. We sat and chatted for 4 or 5 hours, where we put the world to rights and then headed back to the hotel for dinner with the team. This a better-framed self-portrait than the photo of Dave Novik and me.

I have seen Miel perform in small, medium and large venues over the past years, and I have to say, the intimate, cosy venues are, for me, quite magical and, in a funny way, more exciting. 

Miel has now performed at many theatres and venues in the UK, including the London Palladium. Yes, that is the same stage as The Beatles, Carmen Miranda, Judy Garland, Sophie Tucker, Bing Crosby, Danny Kaye, Rosemary Clooney (George’s auntie) the Andrews Sisters, Bob Hope, Liza Minelli, Lena Horne, Ella Fitzgerald, Peggy Lee, Frank Sinatra, Sammy David Jr., Frankie Laine, Slade, The Rolling Stones, Marvin Gaye and many, many others. So, she was in good company. I took this photograph below, backstage at the Palladium.

Miel, backstage at the London Palladium just before she took to the stage.

Last November, Miel was asked to open for Simply Red in her hometown of Zurich. This was to be her biggest audience to date. I think there were around 15000 people in that arena. It was a magical night, and the crowd were so supportive. Miel and the band were on fire! 

Here is a shot backstage of Kate, Andy Wright, Caire Roth and Miel.

Backstage at the Hallenstadion in Zurich, Switzerland with Kate, Andy, Claire & Miel.

It’s quite important for me to be in the right place at the right time. So, capturing Miel as she finished her set and was leaving the stage in Zurich was, for me, essential. It freezes that moment in time for eternity. This is when Miel is serenely leaving that enormous stage as the crowd of approximately 15000 shows her the ‘love’.

Here is Miel leaving the stage at the end of her phenomenal homecoming performance, which was to approximately 15000 people in Hallenstadion, Zurich, Switzerland. I would say her largest audience to date.

I can’t wait to see what is next for the amazing Miel… 

I have to say that over the years, Miel and I have got to know each other, and I am so proud to call Miel an amazing friend. She is more than an artist to me, she is a truly wonderful person and a friend with a heart of gold. 

As soon as I know any Miel news, I will post details so you can all hopefully come along and join the party and become part of our Miel family. By all means, drop me an email at danny@dannyclifford.com if you would like to know more about forthcoming Miel events, shows and releases.

John Altman live at 606 Jazz Club, Chelsea, London

Around about 50 years ago, I was sitting in my classroom at school in Edgeware, North West London, when a new teacher walked into our classroom. He would have said hello, I am your new teacher or something like that. What I do remember is the general reaction of the rough and rowdy mass of students in our class. They were unforgiving, rude and, at times, violent. On this day, which I do remember, the teacher was somewhat surprised at the adverse reaction from the mouthy nasty mob at the back of the class. I was sitting with a couple of my school friends at the front, with whom I was in a band. So, when we started chatting to the new teacher, we quickly discovered that he was a musician, and my two or three friends, and I sat up and leaned forward. “Tell us more,” we said. Within a few minutes, we realised we had someone very special standing in front of us.

He had recently finished his degree at the University of Sussex and had been offered a placement as a short-term teacher with us. This young teacher was John Altman.

It wasn’t long, in fact, a matter of weeks, before John left our school and joined the band, Hot Chocolate. At that time, I was very much into photography, and I had access to a photographic studio in Islington, London. John came down to that studio, and I took his Hot Chocolate publicity photo. He then left our school, and we quickly became great friends and have stayed in touch throughout the last 50 years.

I left school and became a photographer in the music business and he became one of the most in-demand and talented people in the world of music and film. He is an Arranger, Producer, Songwriter, Musician, Composer and more. He has worked with virtually everyone in the music and film world. He has won Emmys, BAFTAs and many other awards. It would be a major task for me to list his accomplishments, as there are way too many. One only has to glance at his Wikipedia page to get a clue.

Last night, the 1st of February, John, along with three talented musicians, performed to a sold-out crowd at London’s 606 Jazz Club in Chelsea. I have seen John perform many, many times over the years, and it’s a real treat. He is quite an exceptional musician. There were a few of his celebrity friends in the audience, which is what would be expected, actors and an England International footballer. People had travelled from far and wide. John told me earlier today, whilst we were chatting on the phone, that someone had also travelled from Paris, especially for this gig. It would certainly be fantastic if John decides to do more shows like this, and if he does, I would thoughtfully recommend that you get tickets early. Here are a few shots from last night's show at the superb 606 Jazz Club.

#JohnAltman #Musician #Titanic #JamesBond #GeorgeMichael, #MontyPython #DavidBowie #herbiehancock #QuincyJones #jimmyhendrix #bjork #MichaelCaine #films #composer #jazz

'Consequences Coming' - Glen Matlock

Glen for me was the driving force behind the success of the Sex Pistols as the main songwriter & thundering talent of the bass player. He is still here writing extremely appropriate songs. Glen and I are clearly on the same page as I agree with his strong sentiments completely. His single ‘Head on a Stick’ is out today & available to stream everywhere. Give it a few listens & spread the word. I am proud to have shot this album cover for someone with such a rich music history, who is so talented, with his finger firmly on the political pulse. I am also glad to call Glen a friend. Below is a snippet of the press release.

“The album was written and recorded in Britain over the last 18 months or so with a posse of seasoned but on point performers.” says Matlock. “All done during the debacle that is Brexit and the rise and fall of the turgid Trump episode in the US. These songs reflect my take on the whole sorry mess that has ensued.”

Matlock elaborates on the album, “Now the wheels of the music business can sometimes move at a lugubrious, glacial pace, and sometimes the moment might be lost but seeing no break in the clouds or clear light at the end of the tunnel, surely the only demand on people’s lips should be that there are ‘Consequences Coming’ for the fat headed oafs who have foisted their asinine warped sensibilities on us.”

“The tunes are pretty catchy too…”

Yes, I shot this album and single cover, for which I am very proud. But, here is a big shout-out to my lovely talented friend, Chris Musto!. He is the drummer on this album as well as many other albums with Glen and other artists. He is also a brilliant artwork designer and he is responsible for the artwork on this project, as well as thousands of others for many artists for decades. So, congratulations to the lovely Chris Musto. Great Job!

#sexpistols_official #sexpistolsband #glenmatlock #richkids #blondie #debbieharry #punk #punkrock #politics #brexitshambles #political #labourparty #democraticparty #trumpsucks #dumptrump #photographer #musicphotography #musicphotographer #studiophotography #albumart #albumcover #lpcover #chrismusto #art #nikonz9 #profoto #nikon #designer #headonastick #corruptpoliticians

Madeline Bell at ‘Crazy Coqs’

By Danny Clifford

Last night, my wonderful friend and absolute legend, Madeline Bell (who has her 80th birthday next month), performed to an intimate, sold-out crowd at London’s ‘Crazy Coqs’ in Soho. Before the show and sound check, Madeline, her lovely friend, actress Gillian Royale and I had a coffee in Soho. Gillian looked very familiar to me, not to mention, very entertaining as well. I couldn't figure out why she was familiar. Then she told me where I had seen her. She is all over TV, in many places. Also she is currently in an advert that is on UK TV for 'What Three Words' I then knew immediately who she was. What a lovely and interesting lady. Saying that, as all of you who know Madeline (and I know a few of you do), would know, she seems to only surround herself with lovely people.

Later in the evening, after coffee, drinks, and sound check, it was showtime. Madeline was introduced and accompanied by the rather superb Jazz singer and Pianist Ian Shaw. In between songs she answered questions from the audience and some from Ian as well. Her answers and stories gave a real insight into the fascinating life that she has led. This included intricate and often astonishing details about the making and recording of some of the ‘Epic’ songs she worked on. Born in New Jersey, USA, Madeline made her name here in the UK and quickly became one of the most in-demand backing vocalists of all time. In addition to being Dusty Springfield’s backing singer & close friend, she also worked with some of the biggest names in music. In 1968, Madeline sang background and duet vocals on a number of Serge Gainsbourg songs, including "Comic Strip", "Ford Mustang" and "Bloody Jack". In 1969, she contributed backing vocals and tambourine on the Rolling Stones song "You Can't Always Get What You Want". She also provided backing vocals on a number of Donovan recordings, notably his 1969 hit single "Barabajagal", recorded with The Jeff Beck Group. Bell then joined contemporary pop combo Blue Mink, with whom she had a number of Top 20 hits in the UK, including "Melting Pot", "Our World", "Randy", "Banner Man", "Good Morning Freedom", "Sunday", "By the Devil I Was Tempted" and "Stay with Me". Before joining Blue Mink in late 1969 she sang solo, and her cover version of "Picture Me Gone" is still a Northern Soul favorite today, as is "What Am I Supposed to Do", from 1968, a two-minute B-side tune co-written with future Led Zeppelin member John Paul Jones, Bell also sang backup on Joe Cocker's "Bye Bye Blackbird" & the classic, “With a Little Help From My Friends” in 1969, which also featured a guitar solo from another Led Zeppelin member, Jimmy Page. Her version of Paul McCartney's "Step Inside Love" was a hit in the US in 1969. Madeline also sang backing vocals on Elton John's 1972 album, Honky Chateau. Next month is her 80th birthday and surely now, she has well and truly earned her place on that elite list of ‘Music Royalty’. In celebration of her milestone 80th birthday, there will be a concert at Cadogan Hall, Chelsea, London on 18th February 2023 with many special guests, including the Uber talented Kiki Dee. I will be going, get you tickets and see you there.

Here are a few photos of Madeline's intimate (sold out) show last night in Soho.

#MadelineBell #BlueMink #DustySpringfield #RollingStones #EltonJohn #JohnPaulJones #JoeCocker #BillyPreston #Singer #Soul #Rock #JohnLennon #BackingVocals #Vocalist #Legend #NewJersey

Feeder - Brixton Academy, London

It’s been a few years since I was at the iconic Brixton Academy. So, last Friday, the 6th of May, I headed into London and then South to Brixton. I managed to park just outside the venue which was a first for me and extremely convenient. I then grabbed my bags and headed inside. I didn’t bother the band prior to the gig as I know that they were a little apprehensive about this gig. After all, it was a big gig, and it was their last gig on this tour. So, I kept a very low profile and kept well out of the way. The last thing they wanted to see was a lens pointing at them in the dressing room. I was looking forward to seeing them all. My mate, and one of the greatest drummers in the world, Geoff Holroyd is the powerhouse in the band, and whilst I was driving to Brixton, I was thinking, I have known Geoff for nearly 20 years and hadn’t seen him since last summer when we were both at RAK Recording studios in St. Johns Wood, London. I was photographing the one and only, Gilbert O’Sullivan who was making a new album, and Geoff was playing drums. So, back here at Brixton, there were two support bands on before Feeder. The first band were called ‘Grungers’ and they had the unenviable task of playing to the Feeder fans who were wandering into the venue early. Saying that they went down very well, and engaged with the fans, which was nice to see. The second band were ‘The Wild Things’. They were fronted by a petite powerhouse who had a great voice, and she played guitar brilliantly and their music was fabulous. I think we might hear great things from them in the future. Again, the Feeder fans were very supportive. It looked to me like some people were singing along with them. At 9pm the lights dimmed, the crowd started cheering, and on came the incredible ‘Feeder’ at their final gig on this tour to promote their new album, Torpedo. They played most of it on Friday, and I have to say, I hadn’t heard any of it until then, and it was fantastic. I would guess I was the only person in the building who hadn’t heard Torpedo it yet. They did also sling in a couple of their big hits, ‘Buck Rogers’ & ‘Just the Way I’m Feeling’ and predictably, the crowd went mad. I have shot Feeder many times over the years and some of those gigs have been at big festivals. I have great memories of the massive festival crowds going wild when the band played those big songs. They really are one of our musical treasures and their new album, Torpedo, sounded amazing and is one to buy.

They walked off stage after I had taken a shot of them with the crowd behind them, and I could see the happiness in their eyes. They are adored by their fans and so they should be.

Here are a few photos from that gig.

Boxing Day Drive

Christmas day is over and I woke up late today which made a pleasant change. Lyn and I had a facetime chat with one of my oldest dearest friends, Richard Marks & his lovey partner Ele. We were all in bed. Hold on, not together. Lyn Facetimed them and it just so happened that all four of us were sitting in our beds. It’s never a dull moment speaking with Richard & Ele. For the past week or so, I have been busy editing thousands of old negatives. It seems like a never-ending task. But it’s so exciting seeing photos that I took 40 -45 years ago. Not having seen many of them since the day I took them, which is a long time ago and quite fascinating.

Sitting looking hard at a screen for hours and hours is quite tiring. So, Lyn and I jumped in a car and went for a swift drive around nearby Maidenhead, Berkshire. The winter sun was swiftly diving and the light great. We pulled up at one of England’s few grass runway airfields. This one, White Waltham Airfield saw plenty of action during World War II. So, it was quick shot as the sun was going down.

Then we headed back home along the River Thames and stopped at Boulters Lock to photograph the restaurant as it was nearly dark and it looked rather warm inside and wintery outside. It’s been a few years since Lyn and I have been there for a meal. I guess the crazy pandemic has had a bit to do with that. If you want to have a great meal on an island in the middle of the beautiful river Thames, check out Boulters Lock, Maidenhead. It’s wonderful and quite magical. For anyone reading this who is not familiar with Maidenhead, it’s near Windsor and about 20 minutes from London’s Heathrow airport. If you need a tour guide, don’t call me, I am too busy scanning.

I am now back home and sitting back in front of my computer and once I finish this blog, I start again on my massive scanning task. It’s all good though, as I am finding amazing images for the book I am currently writing.

Happy Holidays and have a great New Year

#BoultersLock #Maidenhead #WhiteWaltham #Airfield #Berkshire #Windsor #Tourism #Music #MusicPhotographer #Nikon #NikonZ7II #RiverThames #EatingOut #England #Flying #WinterSun #Photography #BookPublisher #Author #Britain #Winter

The Real Dutch Masters are in Focus

During the school break in the summer of 1972, my friend Gary Steaggles read in Melody Maker that Emerson Lake & Palmer, Genesis, Jack Bruce and the incredible Focus were playing an open-air concert at the Oval Cricket ground in London.

Gary, me and a couple of other friends bought tickets and then we waited patiently until that big day, the 30th of September. We ventured off early from North West London and headed into South London, to the Oval Cricket Ground. I had been to quite a few gigs before this and snuck my camera in and photographed them. But for these 13 & 14-year-old kids, this was our first ever big outside concert with huge named acts. Naturally, I was very excited. Weirdly, on this occasion, I took a ‘Super 8’ Cine Camera with me. My plan was to try and film as much of this event as I could. I didn’t have much film, but, at least I had some. The bands I wanted to see most were Emerson Lake & Palmer and the incredible Dutch band, Focus. Their song ‘Hocus Pocus’ had mesmerized me from the first time I heard it. I had instantly become a fan. So, I was more than thrilled when they walked on stage. I remember the excitement when they played and the crowd went crazy when they finished their, fast becoming, anthemic song, ‘Hocus Pocus.’ Thijs van Leer’s keyboard, flute, and vocal talents were spellbinding. As were the rest of the stunning band, with Pierre van der Lindon on drums and the majestic Jan Ackerman on lead guitar, and the brilliant Bert Ruiter on Bass. I did manage to film some of their set. My cine camera didn’t have sound, which is a real shame. Next year will be 50 years since I filmed them. Also, 50 years since I saw them live. I have been in the music business for a long time, but, I have not had the chance to see one of my favorite and one of the greatest bands of all time. Focus! About a week ago I was having an online chat with a friend of mine, the wonderful John Dam, who is based in the Faroe Islands. We were chatting about Status Quo and a few other artists when John said he will be promoting Focus in Scandanavia in 2022. I said I love Focus and would love to photograph them. He said they are in the UK right now! I asked him to speak to them and make arrangements for me to meet them and photograph them. He called them straight away and they agreed for me to come to their next gig, which was in Haslemere in Surrey, UK. Off I went to meet them. I arrived as planned, late afternoon. the band’s crew were loading in and I wandered in and met their tour manager who I had been liaising with on the phone. He is a real character and very funny. I couldn’t help notice that he was wearing bright yellow clogs. Yes, a dutchman wearing clogs shouldn’t be that rare. I complimented him on his clogs and he quietly whispered to me that they are rubber and more comfortable than the wooden ones. He bought them on eBay! So, now I will see if I can find a bright yellow pair in size 12 for me. Don’t laugh if you see me rock up anywhere near you soon wearing them.

Within a few minutes, the one and only Thijs van Leer came over to me and said hello. He said I hear you have some film of us at the Oval in 1972. We spoke about that gig quite a bit. We had differing memories, of course. Thijs remembered playing and the wonderful reception that Focus got that day. My memory was seeing them live and sitting in the hot sun on the grass waiting patiently, then filming them. However, both of our memories were of a wonderful gig and day back in 1972. Thijs told me that Jack Bruce invited so many musicians to come on stage and Jam with him, but Thijs was asked ‘not’ to join in. I was a bit surprised and thought how bloody rude was that! Thijs is a brilliant musician and an extremely nice man. So, all I can assume is that Mr Bruce had temporarily ingested some of Ginger Baker’s seriously lacking social skills during Bruce’s days with Cream. Suddenly Thijs and I were joined by Pierre van der Linden, one of the world’s greatest drummers. He was also charming and quite reserved. He also remembered the day at the Oval and was very excited that I have some footage. The band assembled and did their soundcheck.

Pierre van der Linden during the sound check.

After this Thijs said they were going to get a bite to eat and asked if was going with them. I politely declined. This was only because I am a bit paranoid about taking my mask off in public during these Covid times. I didn’t want to appear rude, but, better to be safe, I say. Whilst Thijs and I were chatting earlier we had both discussed this awful pandemic and, as I was fully masked up, he knew I was a little concerned, to say the least. Even though we had both been vaccinated. So the band went off for a bite. I grabbed myself a little takeaway and went and sat in my car and ate it. Then 20 mins before the show, I headed back to the venue, The Haslemere Hall. I went backstage and got and my cameras ready. The band was getting ready and they wandered onto the side of the stage. This was a sold-out show and I for one was very excited. It’s almost 50 years since I have seen Focus. They looked at each other and said let’s go. On they went and I realized that I wasn’t the only person excited to see them. Everyone was cheering, standing, and clapping as they walked on. I was thrilled and I was also amazed at how good they were live. But, why wouldn’t they be? After all, they are amazing musicians.

Thijs van Leer

Obviously, Thijs is fantastic and so is Pierre, but the two newer guys are amazing too. On a guitar with some very big shoes to fill is Menno Gootjes. Well, what a great guitarist he is. I have seen a few in my time, but, this guy is something else. Jan Ackerman was the original guitarist in Focus and he was voted the best guitarist in the world back in the day. So, Menno takes that challenge and I thought raised the bar. He really is one hell of a guitarist. On bass guitar is Udo Pannekeet and yes, you guessed it, he too is incredible. All in all, Focus, are for me, the Real Dutch Masters.

All words & photographs are copyright 2021 Danny Clifford. No copying in any form without prior written approval.

#Focus #FocusBand #ProgRock #Jazz #Holland #Netherlands #Thijsvanleer #Pierrevanderlinden #Mennogootjes #UdoPannekee #Movingwaves #Music #Guitar #Flute #Keyboards #Drums #Jazzfusion #Gibson #Hammond #Dutch #Masters #Flute

Menno Gootjes on lead guitar.

Udo Pannekeet on Bass

Pierre van der Linden

Thijs van Leer & Menno Gootjes

The Back Pumas - London

Yesterday was quite a day for me. It’s been almost two years since I photographed a live show. A cancer diagnosis at the start of 2020 put a stop to that. Almost straight after that Covid 19 rolled up to shut the music business down. It was good to back at a gig. Not an average gig. No, it was an incredible gig, with the spellbinding, Black Pumas!

Here are some photos from last night.

I worked a little bit with the Black Pumas before all of the above in 2019. I photographed the Black Pumas for the cover of the fabulous Headliner Magazine. Last night they were back in London at the Roundhouse. I was driving there thinking, firstly, it’s been a long time since I shot a live band and then I thought, blimey, it’s about a hundred years ago that I first entered the Roundhouse on a Sunday afternoon to see and photograph a band. I can’t quite remember who that was. I was still at school and went my friends. I snuck my camera in every week. One of the early bands were Manfred Mann. I also remember the fabulous Joe Brown. I arrived last night, and I was extremely happy to see that everyone was being asked to provide a vaccination certificate. All of the staff were wearing masks. There was plenty of room for me and backstage it was very civilised regarding masks and space. The Black Pumas are one of the greatest new bands out there. In fact, they are 4-time Grammy Nominated. Which for a new band is phenomenal. The moment I heard them in 2019, I became a fan.

Last night was a real pleasure. There were a couple of other photographers there in the pit who were all very and amiable. I say that because it isn’t always like that. I had great access which is always very important. I was also pleased to take along one of my newer Nikon Z7II cameras and see how it performed shooting live music. I will let you be the judge of that! I have to say, I have been shooting live music amongst other things since the early 1970’s and Nikon cameras have been with me all the way and never let me down. I am going back to the Roundhouse today to shoot them again on their last night in London. If you get a chance to see them, then do it. They are incredible. Also, get their album which is utterly brilliant.

#BlackPumas #Grammys #Lodnon #TheBlackPumas #Roundhouse #MusicPhotograher #Music #MusicPhotoghy #Nikon #Gig #Livemusic #Austin #Texas #Soul #Psycodellic

Squeeze and a private performance, just for me!

I have just seen a lovely post on the Squeeze Official site that says it was 9 years ago that they did a shoot with me for their impending tour. On this particular day, I met the band in a small town on the South coast of England. We did some shots in a retail shop that was borrowed for the shoot. We then decided to head high up onto the Beacons, in the middle of nowhere to set up a shoot with some props. It wasn't long before I asked them if they could actually play something whilst we did the shoot. So, there I was with one of my all-time favorite bands, high on a hill late in March 2012 in the cold and they were performing just for me! 'Take me I'm Yours' and a few others. I am just thrilled that it was being filmed and there is a record of this for me. There I was a little while ago at home (obviously as we are in Covid) and an Official message from Squeeze popped up with this memory "( years ago on the South Coast with Danny Clifford. By the way, Glenn had grown an incredible beard and it was the first time Chris had seen it. Glenn loved it and Chriss appeared to hate it. I thought Glenn looked rather refined and smart. I know that Chris wanted to cut it off. Here are a few photos from that day. I have also added the video link below so you can see the band performing for me on the top of the hills on the coast. It was cold and windy, but, weirdly, sunny. The photos are the vibe that Glenn, Chris and the band wanted for the photos for their impending tour. It was a very long day, but, as always with Squeeze, an absolute pleasure. I am thrilled to say that I have worked with Squeeze since around 1978. They are without doubt one of the greatest bands in the world. The songwriting of Chris Difford & Glenn Tilbrook is utterly amazing, combined with their musicianship with their incredible band they are true 'Rock n Roll Royalty. I don't know why I am telling you this, because, I am sure you all know this. However, just in case you have missed them for some silly reason, check them out. They are truly unique and quite phenomenal!

Here is a link to that video

https://youtu.be/HHHA-Wbkb6U

#Squeeze #chrisdifford #glenntilbrook #joolsholland #squeezogram Squeeze Official Chris Difford Glenn Tilbrook

Sounds Magazine, Writz & Nick Battle

In July 1979 I was briefly back in London. I had been spending a lot of time in Los Angeles. I wandered into the office of Sounds Magazine in Covent Garden London. Whilst in there I was asked to shoot a few bands. One of them was a feature that was to be written about an up and coming band called WRITZ. I knew nothing about them at that time. I headed off and met up with the band. We didn’t have long to do the shoot and I suggested we did a few shots near my office in Wardour Street, Soho. In fact, we used an alley way at the end of Berwick Street, surrounded by sex shops and dark doorways with bells & buzzers saying things like, ‘Cherry, Model, 1st Floor’. it was and still is, a lively area. We did some quick shots in the street. Nothing too imaginative or artistic, But now, when I look at these photos, they are real 1979 looking photos! They captured that moment for me. I did go on and shoot WRITZ live at the Music Machine (now KOKO in Camden Town, London.) Overall, I didn’t have too much to do with them before then or since. However, years and a lifetime later, I had settled in the UK, I am married with 3 kids and living in Chorleywood, Hertfordshire. Little did I know that my youngest child, Sam, had a very close friend called Jodie. I soon found out that her dad is also in the music biz. Well, those of us in that biz, know that it’s quite a small industry in many ways. So, I wondered if I knew her dad, Nick Battle. Well, his name was familiar to me, but I have been in this business for a very long time now. I slowly got to know Nick through the kids. Then about a year or so ago I did a photo shoot with Nick to help promote his new Album. Whist we were doing the shoot at my house we were chatting about his past. Now, I know that Nick is a prolific songwriter and has written songs for Sir Cliff Richard, Englbert Humperdink and worked with Gary Barlow & Spice Girls, among others as well as being an absolutely lovely guy. But I didn’t know that he was in WRITZ. Then the penny dropped! Of course! It’s amazing how many bands and artists I have photographed over the years and kind of forgotten it or placed them in my distant memory and pop in the back of my mind. During lockdown & Covid I have been spending some time scanning old negatives. I have about 5 million images already digitally on my server. But I still have a bout 1.5 million to scan. So, I was pleasantly surprised to stumble across these photos of that day in Soho on in the summer (July) 1979. I have also included a couple of shots of Nick taken recently in my back garden. His new album is called ‘Love is Long Road’ and its brilliant. Go and buy it now! it would make a wonderful Xmas present for someone or just treat yourself.

The Guild of Photographers - PhotoHubs Event, Coventry

I had a wonderful day yesterday in Coventry at The Guild of Photographers, PhotoHub event. I ran a workshop there in the morning and I was also one of the guest speakers later in the day on the main stage. I met a lot of lovely people and I was also really impressed with how professional and really good the Guild of Photographers are. They really care about their members and do absolutely everything they can to help photographers of all abilities and levels. I would thoroughly recommend them to any professional or amateur photographers. I was very impressed with them and all of the great staff at the Guild. I was also grateful to Epson who arranged for me to attend this fabulous event and who took care of me so well. #TheGuildofPhotographers @Theguildofphotographers #Photographer #Music #Epson #Nikon #GuestSpeaker #Mylife #Photography

It's a 1st for Miel & Aberdeen!

Scotland has a new venue and it’s in Aberdeen It’s the P&J Live Arena and Wet Wet Wet performed there last night and were going to be the first band to perform in this lovely venue. However, the wonderful & talented Miel opened the whole event making a little bit of history by being the first performer to play. I am pretty sure that this is the first time Miel has played in Aberdeen. The hall was packed and the crowd were seeing, probably for the first time, a singer/songwriter who wears her heart on her sleeve. She writes songs that resonate with everyday life and really do have deep and meaningful lyrics. Miel’s songs are about positivity and in her words, ‘joy’. She has also written a wonderful song about ‘Addiction’ which really is quite touching. The audience really got into her & her music. In fact, as Miel’s short, but, packed performance was coming to a close, she had, by then got the audience, I think all of them, clapping with their hands high above their heads and loving it. Miel’s band are about as good as it gets, really, they are utterly amazing, every one of them! I photographed her show and also watched the lovely audience in this brilliant city of Aberdeen who gave Miel such a wonderful, kind and amazing send off with rapturous applause when her set came to the end. To see this audience show Miel so much love and who probably had no idea who she was when she walked on the stage was wonderful. I have to say, I was thrilled for her and the band who also felt the love from the crowd. I could see band members smiling back at the crowd throughout the show. I have been with Miel from her earliest gigs in tiny little clubs to some very big and prestigious venues. Miel’s next gig in Scotland is again with Wet Wet Wet next Saturday 9th of November at the Usher Hall in Edinburgh.

Here are a couple of photos of Miel from last night and that brand-new venue. #Miel #Aberdeen #Edinburgh #Scotland #Music #Livemusic #Miel_music #Singer #Songwriter #Liveperformance #Musicphotographer #Photography #Musicphotography #Switzerland #Paris #France #Band #WetWetWet #yes #newmusic

Miel performing last night at the new P& J Live Arena in Aberdeen, Scotland

Miel performing last night at the new P& J Live Arena in Aberdeen, Scotland

The new P&J Live Arena, Aberdeen.

Yet another road trip to Sweden!

It was inly about 4 weeks ago that Lyn and I drove from London to Malmo. This time we had a longer drive. It was London to Stockholm. Then over to the other Swedish West coast to Gothenburg. The reason for this trip was that we have a rather big photo exhibition in Stockholm in November. So, the remaining framed photographs had to get to Stockholm. We worked out that the most sensible way without breakling them in transit by airfrieght or truck, would be for us to drive them there. I also was speaking at an event in Gothenburg. So it was ideal for us to drive them up to Stockholm and then drive to Gothenburg for my guest appearance. We left home and aimed at Dover where we cauaght a ferry to Calais. We then drove through France, Belgium to Germany where we stayed on first night, we made it all the way through Denmark to Sweden and got about an hour south of Stockholm. The next day we got to Stockholm and unloaded all of the photos. We then went out to the countryside and met up with my mate Tony Edser and his lovely partner Christine. We stayed the night with them in their beautiful home on a lake. The next day, Lyn and I drove down to the west coast of Sweden to Gothenburg. That was about a 6 hour drive. We got settled into the hotel and then the next day we met up with the wonderful people putting on the event where I was speaking. There was also a small exhibition of some of my photos there. After this event. Lyn and stayed there that night and the next day off we went and aiming in the direction of Amsterdam. This took us again, through Denmark, Germany and into Holland. We had a stay in Amsterdam and the next morning we were off towards Calais, but stopped for a quick bite to eat in Bruges, Belgium. Then after buying some of our favourite Belgian chocolate, we went straight to Calais and jumped on a P&O Ferry to Dover. Annoyingly, the worst part of our whole trip was once we were back in the UK. We should have been home by 11:30pm. But due to roadworks and diversions we ended up getting home at 2:30 am. Anway, overall our week away was lovely and we did about 3000 miles in total. We are back to Sweden next month, but, we can fly on that trip as we have delivered all of the prints now.

Fun on the streets of Amsterdam…

This was one of the bridges in Denmark approaching Copenhagen on our way to Sweden.

Lovely roads through Sweden & Denmark

This is the evening view from our friend’s Tony & Christine’s lounge and garden. Its quite stunning..

Talk of the devil.. Here he is, the one and only Tony Edser.

Sundown and almost dark as we look across the lake behind Tony & Christine’s house in Stockholm.

The entrance to my exhibition in Gothenburg

People veiwing some my photos in the small exhibition of my photos.

Lyn actually took a photo of me in the exhibition area at Gothenburg.

Passing ships in the night. This was us racing past some big old ships in Hamburg as we passed through Germany towards Holland..

Amsterdam

Amsterdam

Amsterdam

Amsterdam

Bruges, Belgium

Lyn giving that knowing look and I have no idea what that means. Anyway, we had a quick bit to eat here and zoomed off to France and caught a ferry back to the UK.

Goodbye Ginger!

I have just heard that we have lost one of our great drummers & all round wild man, Peter ‘Ginger’ Baker. The last time I photographed him was on the final night of the last ever gig at the Royal Albert Hall for the supergroup, Cream! I was too young to see Cream the first time around. I was in my junior school when they broke up. However, I did get to shoot their final gig on the 6th of May 2005 in London.

Cream performing at Royal Albert Hall, London

So, RIP Ginger and my condolences to his daughter Nettie and the rest of his family & friends.

Jack Bruce, Ginger Baker & Eric Clapton at the end of the last ever gig for Cream in London 2005

It's that band again, STAKS

Last week I went to Paris to document the STAKS band rehearsing and routining some new songs. The band arrived a few hours before me. I had an event that I needed to attend early in the morning in central London. I then raced over to St Pancras International Station and caught a train to Paris, Gare du Nord. Then straight to Studio Bleu. It’s a quite well known rehearsal complex for bands & artists. When I arrived, I got straight on it, as they say, and started to shoot the band who were working on some new material. Firstly, it wasn’t the full band, but, about 9 or 10 members. Bearing in mind STAKS are normally about 16 ish strong. This was the first time I had heard some of their new songs. Well, I have to say, they are truly AMAZING. I have been working with Staks for about 2 years now and this, for me, was a real watershed. Hearing the new material was incredible. This band are not only amongst the best musicians in the world, but with these new original songs, they are as a band, ‘WORLD CLASS’. No wonder so many serious artists want to play with them. I know I may have said this before, but, Steve Winwood, Sam Moore, Paul Carrack, Beverley Knight, Jack Bruce and others have performed with STAKS. Steve Overland is now a permamant fixture and lead singer with STAKS, which has lifted the band to a new level. The rehearsals were basically to work through the new songs over 3 days. STAKS have a big gig coming up in West London on December 3rd. It will be at Under The Bridge, Chelsea FC. It’s a double headline - STAKS & IZZY BIZU. If you havent yet seen this band, get yourself to this gig. If you have already seen them, then no doubt, you will be there & back for more of this amazing music.

Here are a few photos from our few days of music and a llittle R&R. I hope you like them.

Andy Ross & Kevin Robinson chilling out in between songs.

Sonia Jones, Steve Overland & Andy Wright ready for vocals.

Ourt for dinner on night one.

Steve Overland, Sonia Jones and yours truly! Photo credit, David Fitzsimons.

Another ‘out for dinner shot’

Back at the hotel. Andy found a shop around th ecorner where he bought some cigars.

A very serious shot of Stefan having a chat and Malcolm giving me some’Rock n Roll’ advice.

I know Kevin was tired in the middle here as he had a 6am flight the following morning to Hamburg for Simly Red gig. It looks like Karl Vanden Bossche, Sonia Jones & Steve Overland though it was funny that we could all have a lay in until about 9am.

Breakfast with Steve. This is when Steve said to me after trying to open the tea pot lid and failing; “I can’t work a tea pot” I thought it was so funny that he said that. I thought it should be an album name or at least a song title.

Andyy Wright running the show and getting the band running through one of the songs.

Always happy, the great Stefan Redtenbacher with that lovely Hofner Bass.

Tony Remy trying to rest. Not easy with Stefan standing at your feet and waking you up!

Steve Overland outside New Morning Club, Paris. Two mins before we raced off to the Metro and aimed for a Eurostar tran back to London.

Going Underground. Or Going Metro really!

In the basement at the wonderful Chez Marcel Restaurant having drinks before we climbed back up through the trap door for our meal upstairs on ground floor.

Lewis Chapman who is a sound, Sound man!

A very happy band gathering at Chez Marcel.

The incredible percussionist Karl Venden Bossche.

Great drummer Mike Sturgis and all round lovely guy.

Cheers at Chez Marcel

Here is the sublime guitarist, Tony Remy

Drinking and chatting into the night on the streets of Paris.

Stefan Redtenbacher obviously being serious for a moment.

Andy Wright, the incredible record producer, songwriter and friend.

Stefan taking a picture of me? No. it was a selfie.

The entrance to Studio Bleu, Paris

Studio Bleu

Malcolm Fitzsimons, relaxing inbetween songs.

Andy Ross during a break.

Kevin Robinson adding his trumpet and general multi talent to the songs.

David Fitzsimons the master of ceremonies and leader of the pack,

Music and arrangmenet of one of the great news songs.

Happy birthday to these two lovely chaps! John Coghlan and Nile Rodgers

Lets start with the lovely John Coghlan. I have know known John for a bloody long time. In fact, it was at Status Quo’s recording ofo Rocking All Over The World where I first met him. Like the rest of Quo, they have played a big part in my life. From thiose early tours through to the ‘Frantic Four’ reunion tour which I was also on. So, Johnny boy, a big happy birthday and hopefully see you soon. #JohnCoghlan #StatusQuo #NileRodgers #Chic #AbbeyRoadStudios #Birthday #Musicmakers #Music #Musicphotograher #tourphotographer

John & the wonderful Rick Parfitt backstage at Lewisham Odeon at the end of a big tour!

This was taken on the Frantic Four tour a few years ago!

Again on the Frantic Four tour. This looks to ne like it was Hammersmith Odeon as we used to call it, in London.

More Frantic Four tour. Ths ne was probaly Glasgow. Saying that, it could have been Wolverhampton!

Somewhere on the Frantic Four tour in the UK or maybe even Ireland.

Now, I know where this was taken. It was the Albany Hotel, Glasgow, Scotland and I am in it, with hair. Yes, lenty of hair! L-R Bob Young, Andy Bown, John, me, Rick Parfitt holding my leg and one our drivers. Blimey, I cant remeber his name. I would imagine Bob Young or John will tell me his name when I speak to them next.

Something tells me this was Birmingham, UK. Around 1977.

Another Frantic Four re-union shot.

This was taken in Henley on Thames at my first ever public exhibition. Thats me onth eleft, with the birthday boy, John. Standing on the right is Colin Brooks-Johnson. Colin was Quo’s manager when I first started working with them back inthe 70’s. We are standing n front of one of my Quo shots from back in the day.

The other birthday boy is Nile Rodgers. I was working a little bit with Nile a few months back. But, although we didnt know each other at the time, we were both at Studio 54 back in Feb 1980 when there was a big party for the owners Steve Rubell. That was a great night with Diana Ross, Paul Stanley, Gene Simmons, Keith Richards and the man who entertained us all was the one and only, Chuck Berry! What a night that was. Anyway enough of that. Happy birthday Nile..

Nile obviously pleased to see me with a camera.

Nile conducting an orchestra at Abbey Road Studios.

Nile performing with his band Chic.

Another shot Nile conducting an orchestra at Abbey Road Studios. This shot is hanging on th ewalls in th ecoridor at Abbey Road.

Obvioulsy another one of Nile conducting at Abbey Road.

Here is Nile and his team in the control room at Studio 1 at Abbey Road.

A Little road Trip, UK to Sweden

A week or so ago we drove from the UK to Sweden. The reason we drove, was because I had a small photographic exhibition in Malmo, Sweden. I was also one of the guest speakers at Malmos Fotodag, which was rather nice. The organisers were wonderful and the audience were also lovely. We didn’t have time to ship the photos there. Mind you, they are all in rather nice delicate glass frames and if they had been shipped they would most likly have been broken. We left the UK and drove through France, Belgium, Holland, Germany, Denmark and into Sweden. As we were in a bit of a hurry we didn’t take any photos on the way there. However, on the way back we did have a bit more time. So, here are a few photos from the return trip. I hope you like them.

After I spoke at Malmos Fotodag, my wife, Lyn and I drove down to one of the most southerly points of Sweden. The sun was going down and I managed to get down to the beach just in time to get this sunset shot. It was very pretty. We then went for a quiet dinner and after we sat down we realised it was Kareoke bar. Nice food, noisy singers. I say singers, mostly very nice drunk Swedish people who couldnt really sing. It was a lot of fun and they were all lovely.

A typical Swedish coast at dusk.

Malmo centre Anyone who knows Malmo will know that this is where there are loads of places to eat. You are spoilt for choice as there are some great places to eat here.

This is entering the bridge from Sweden to Denmark. It was very cloudy on the Swedish side.

When you are almost over the bridge and heading into Denmark the bridge and the road go down into the water. Yes, look carefully, it does dissapear. You actually go across the wide water expanse on the bridge and then the road goes straight down under the sea and into a tunnel that comes out in Denmark. Well Copenhagen to be precise.

We were heading west into the sun and we were heading for the west coast of Denmark. Then we were going to head South towards Germany. The Sky was so cloudy and unusual. Then the sun came streamig through. I just had to grab my camera and get a shot.

When we got over to the West coast of Denmark, Lyn and I stopped for min so i could photograph this. Another quite spectacular sky and image. So, here is the quiet and beautiful West coast of Denmark early evening.

We stayed in Bremen last night on our way South. We decided to take a right turn and head into Holland and we aimed for the amazing city of Groningen. This is on the North coast of Holland. So, we had a quick lunch and then we aimed for Edam & Volendam. They are both next to each other and just north of Amsterdam.

Here is a pretty canal in Edam. Yet another amazing town in Holland. I have to say, I have been coming to Holland since I was a school boy and I love it here.

More Edam..

More of the beautiful Edam…

Well, You cant drive through Holland with out taking a photo of a windmill.. So, here is a windmill..

Oh, one more shot of a windmill.. I just had to take this as it was so pretty and soooo Dutch…

Back into Dover. Well, to be honest, this was a photo I took on the way out of the UK. We were about to leave and this big old ferry was coming in. I always find big ships quite amazing. We were still sitting in the harbour and hadn’t moved yet. Look in the distance to the right of that other ferry, there is the coast of France. We are so close to the continent. Its quite amazing.

Now this is a rather british Icon. The White Cliffs of Dover with the Dover Castle on the top. This was also taken on the way out as we were leaving Dover Harbour on our way to France.